In this post, you will find great Copy Quotes from famous people, such as Caroline Winberg, Oliver Goldsmith, Marcus Sakey, Travis Kalanick, Twiggy. You can learn and implement many lessons from these quotes.

I can write a program that lets you break the copy protection on a music file. But I can’t write a program that solders new connections onto a chip for you.
I’m so excited to just be able to be comfortable in my own skin and give what I have to the world and not feel like I have to copy to stand out or fit in.
The way I found time to write ‘The Imperfectionists’ was that I took work as a copy editor at the ‘International Herald Tribune’ in Paris, working full-time for approximately six months, then taking my savings from that and writing full-time, then returning after six months, and so on, until the book was done!

One could make money and get a career going with a low-budget horror film about killers attacking on holidays. It is always flattering to have somebody copy you.
I vividly remember my first ‘Superman‘ comic, which my granddad bought me when I was about 7. From that point on, all I wanted to do is draw comics. And specifically, superhero and science fiction comics. Basically I used to copy comic books, and draw my own comics on scrap paper.
Beauty can grow as a whole, since you shouldn’t copy other people.
When I was preparing ‘Kiss Me, Kate,’ I did go to the Museum of Broadcasting and watched an old kinescope of Alfred Drake doing the role on a television special. It was interesting, but I didn’t feel any need to try to copy him.
When a company identifies how to integrate the processes needed to give the consumer a sense of job completion, it can blow away the competition. A product is easy to copy, but experiences are very hard to replicate.
Copywriting probably did make me a commercial writer. Nobody wants to read advertising copy, so you have to keep it punchy; you almost have trick them into reading it. You have to make every sentence work.
The difference between a bad artist and a good one is: the bad artist seems to copy a great deal; the good one really does.
The magistrate who originally sentenced Eric Cantona to prison said that millions of young people saw him as a role model and tried to copy his behaviour. I wonder if this is true.
I had my own mind made up in that I was going to do my own thing. I wasn’t going to copy from this guy or that guy.
People want to listen to a lot of music and do whatever they want with it. They don’t want DRM, they don’t want subscriptions. They don’t want a player that only can do this but can’t do that and you only have one copy. They don’t want that. You know? I don’t want that.
If you look at the history of how information flows, there was a time that newspapers were kind of in the place that Google and Facebook are now – how do we get more people to buy a copy? Then there was a shift in the early 20th century. They needed to do better, and readers and consumers demanded that of them.
Traditional copyright has been that you can’t make a full copy of somebody’s work without their permission.

What happened in the region in the last 30 years is not the Middle East. After the Iranian revolution in 1979, people wanted to copy this model in different countries; one of them is Saudi Arabia. We didn’t know how to deal with it. And the problem spread all over the world.
If you take all the factories in the world today, they could make all the parts necessary to build more factories like themselves. So, in a sense, we have a self-replicating industrial system today, but it would take a tremendous effort to copy what we already have.
I just saw a copy of a cover of a magazine that I’m on, and it’s very weird and unusual.
Usually when painters use photographs, they enlarge and copy them and simply make a large, boring painting of a large, boring photograph.
I most definitely would not buy the ‘Daily Mail,’ which pours a kind of livid torpor into the eyelids of the average Brit – I skimmed through a copy recently and couldn’t believe the rubbish in it.
When France was the only reference for chefs to learn, you could go everywhere in the world, and they would copy dishes directly because they didn’t have much expanded imagination or technique or knowledge.
I can’t copy nature.
I oftentimes say that I design my collections off my phone. I’m in a group chat with my team in Milan. I copy and paste. I draw. I look at trends. I don’t really have an assistant. It’s a modern way of working. I don’t know if it’s sustainable, but it’s how I do it.
You can learn from others but you have to be yourself. You can’t start out with the idea that you have to copy others, you have to play to your strengths.
There was no one in particular I really tried to copy.
There’s still a place for someone to come up with a strong headline, some copy in a commercial that’s well written. I’m not saying it was better in the old days; it’s just a totally different way of communicating.
I remember when I had to copy writing off the board at school it just looked to me like a magic eye picture, I could just see so many shapes.
You should keep a copy of your tax return indefinitely, but you need to save supporting documents for only three years.

At a meet and greet in a nightclub in Texas, a girl who looked about 15 years old gave me a VHS copy of ‘Adventures in Babysitting,’ and she whispered in my ear that it’s really just home movie footage of her dad practicing judo.
Never try to copy other writers, and never try to have a formula. It has to come from your heart and soul.
Every time you recall a memory, you’re basically making another copy of it and, at that same point, it is susceptible to new changes and adaptations.
I take a certain pride in having maintained a reputation for fast copy throughout my newspaper career. Fast-breaking stories left my typewriter in a hurry. Not great literature, perhaps, but fast, and usually accurate.
When a thing has been said and well, have no scruple. Take it and copy it.
One reason you should not use web applications to do your computing is that you lose control. It’s just as bad as using a proprietary program. Do your own computing on your own computer with your copy of a freedom-respecting program. If you use a proprietary program or somebody else’s web server, you’re defenceless.
I decided that since I was trying to teach ‘style’ of thinking in science and engineering, and ‘style’ is an art, I should therefore copy the methods of teaching used for the other arts – once the fundamentals have been learned.
I don’t plan my acting. If I had to copy someone, it would be someone like the legendary Sridevi. I am really bad at copying people. I am very spontaneous.
I wrote a best-selling book, and if you don’t believe me, you can come into my basement; I’ll show you every copy.
I started playing the piano aged four in an effort to copy Grandpa, who was constantly showing off and entertaining us all, singing comic songs on his baby grand.

I had a lot of jobs before I got into music. When I was 15, I was a copy boy for the ‘Evening Chronicle‘ in Newcastle. Then I was a journalist. I value those experiences – I got to see how the world works.
An e-bike is like headphones, you can say you have patents, but people will still copy.
You should learn from your competitor, but never copy. Copy and you die.
You can’t really copy what I do because I don’t do anything.
The transition state of manners and language cannot be too often insisted upon: for this affected the process at both ends, giving the artist in fictitious life an uncertain model to copy and unstable materials to work in.
When I was younger, in my living room, I used to put ‘Cats‘ the stage musical video on and I used to copy Victoria.
I loved modeling. I absolutely loved it. I was so happy to get the cover of ‘Vogue‘ – 23 times. I keep each copy. I made more money as a model than as an actress or as a filmmaker. In monetary terms, beauty pays more than anything.
Mass prosperity came with the mass innovation that sprung up in 1815 in Britain, soon after in America, and later in Germany and France: It brought sustained growth to these nations – also to nations with entrepreneurs willing and able to copy the innovations.
Edgar Allan Poe, I think he’s a brilliant poet. I was actually given a copy of his work when I was, like, 8 years old that was my grandfather‘s, and I still carry it around with me.

And, since the model he faithfully copies is not going to be hung up next to the picture, since the picture is going to be there on its own, it is of no interest whether it is an accurate copy of the model.
Even Obama‘s staunchest supporters are starting to leave him. Last week Michelle Obama demanded to see a copy of his birth certificate.
At the age of 12 I won the school prize for Best English Essay. The prize was a copy of Somerset Maugham’s ‘Introduction To Modern English And American Literature.’ To this day I keep it on the shelf between my collection of Forester’s works and the little urn that contains my mother’s ashes.
Shading is more like copying. And certainly I do copy, but I’m making drawings, and I’m not trying to make them with the shading.
Many European countries, as well as Australia, Canada, Israel, and New Zealand, have adopted legislation that creates a ‘public lending right’, where the government recognises that enabling hundreds of people to read a single copy of a book provides a public good, but that doing so is likely to reduce sales of the book.
I don’t like traditions, I am very personal, very independent, I don’t like intimate ladies, I mean in German lieder there’s a lot of copy, a lot of imitation, a lot of tradition, and this I have put it aside.
In the ’50s and ’60s, journalism wasn’t a profession. It wasn’t something you went to college for – it was really more of a trade. You had a lot of guys who came up working in newspapers at the copy desk, or delivery boys, and then they would somehow become reporters afterward and learn on the job.
When people come up to me and say, ‘I read your book,’ I’m thinking, ‘How dare you! Who gave you a copy?’
So with the young African artists. What they have to learn from tribal art is not how to copy the traditional forms, but the confidence that comes from knowing that somewhere inside them there should be the vitality which enabled their fathers to produce these extraordinary and exciting forms.
I think any time people behave in a way that’s truly them, then they’ll never fail. You get in trouble when you try to copy others.
We’re not proud, we’re not egotistical. If someone is doing something better than we are, let’s copy and paste when we should and when we can.
I was determined to carve out a music of my own. I didn’t want to copy anybody.
The only thing I’d ever done with news was to read copy sitting at the microphone in the studio.
I am too big to copy anyone.
I wear the same outfit or, at least, a different copy of it almost every day.
The main problem I’ve always had with fashion media is that women are encouraged to copy other women.
‘You Talk’ was originally a copy of a certain Velvet Underground song.
When you draw or paint a tree, you do not imitate the tree; you do not copy it exactly as it is, which would be mere photography. To be free to paint a tree or a flower or a sunset, you have to feel what it conveys to you: the significance, the meaning of it.
I don’t try to make the guitar sound like the harpsichord or lute. That makes you end up being like a bad copy.

My father, whose hobby was collecting secondhand cricket books, came back from a book fair one day with a copy of ‘The Body In The Library.’
Changes… can only be effected by alterations in the original. The only thing not prerecorded in a prerecorded universe are the prerecordings themselves. The copies can only repeat themselves word for word. A virus is a copy. You can pretty it up, cut it up, scramble it – it will reassemble in the same form.
While I began writing ‘Rules of Civility‘ in 2006, the genesis of the book dates back to the early 1990s, when I happened upon a copy of ‘Many Are Called,’ the collection of portraits that Walker Evans took on the New York City subways in the late 1930s with a hidden camera.
I don’t really watch one player and copy him or anything like that but if I see something that I think could work then maybe I’ll try it.
When ‘Bhaag Mikha Bhaag’ was released, no matter where I went – Australia, England or Canada, people around the world used to say ‘Farhan is Milkha Singh’s ditto copy.’
Except in very narrow cases, where there’s breakthrough science that needs patent production, worrying about competitors is a waste of time. If you can’t out iterate someone who is trying to copy you, you’re toast anyway.
When something works for you or another brand, ask yourself, ‘Why?’ Then don’t copy it but think about what you can do that’s unique to you and better.
Reading the final copy of my book was like walking down memory lane all over again. Sure, the writing process was emotional, but when I had the final copy in my hands, it was a completely different feeling.
Even if you try to copy a film shot by shot, you still can’t. It’s still your own film.
There are a lot of players when I watch them playing I say, ‘Amazing, I want to do like them.’ But not to be like them – just some parts to copy. But always be myself and always play my own style.
I look at Jagger and the like and if I see a good attitude I’ll admire it but I wouldn’t copy their style.
The way I write is, I listen to things in my head, and then I copy them down. I memorize conversations and things like that; I seem to be able to do that pretty well. I suppose in that respect there’s some improvisation, although I work over the stuff after I’ve got it down on paper.

You can’t just copy someone. There are so many different styles that you can just kind of pick and choose whatever it is you’d like to do.
Certainly, every movie has to be looked at differently. But I think what happens is, every couple of years, a movie comes along that everybody then tries to copy.
When I hear people who love my music and are trying to copy it, it sounds strange to me because it sounds so simple, made by other people. It took me a lot of years to find the balance, to find a way to be on the edge of being accessible but at the same time having the echo of a deep, more complex world.
Mr. Trump is Mr. Trump. I’m Mr. Wilders. I’m not anybody’s copy or whatsoever.
In my films, they say the action sequences are very local and not international. But why should I copy from English films?
They allow us to disrespect our Black woman. A lot of these things would be considered criminal if it were to be carried out in the streets. That’s like when they tell you after you buy your VHS and you rent movies they tell you not to copy the movies.
I feel responsible to make something original as a Japanese artist. There are lots of singers and guitarists, but I feel that on stage it’s meaningless to copy something someone has done before.
I talk to bankers, distributors, marketing people. I used to sit at home in my tracksuit bottoms, and the real excitement of my day would be going out to get a copy of ‘Private Eye’ and a latte.
I became a copy boy. Not for long. I started writing stories.
In market research I did at Microsoft Corp. in the early 1990s, I estimated that the ‘Wall Street Journal’ took in about 75 cents per copy from subscribers, $1.25 at the newsstand and a whopping $5 per copy from ads. The ad revenue let them run a far bigger newsroom than subscribers were paying for.
Do not copy my style! The first rule of writing is write about what you know, not what you think you know. So, think about what you’ve done in your life and write about that.
Obviously, don’t copy everything we do.
‘Record Without A Cover’ was about allowing the medium to come through, making a record that was not a document of a performance but a record that could change with time, and would be different from one copy to the next.

When I see kids standing next to their mothers at book signings, clutching a copy of ‘Forever,’ I know what’s coming. They’ll say to me, ‘How old do I have to be to read this?’ hoping I’ll give them permission. But I can’t do that.