In this post, you will find great Three-Dimensional Quotes from famous people, such as David Suchet, Donald E. Westlake, Frances McDormand, Leonard Susskind, Dave Eggers. You can learn and implement many lessons from these quotes.

When you‘re doing characters from famous novels, you have a responsibility as an actor to make it what the writer intended. And then you add and expand from there to create a three-dimensional performance.
My dad‘s more three-dimensional than Opie Taylor or Richie Cunningham. He even has a temper! He’s a real person. But some people are disappointed by that.
The beauty of ‘The Hunger Games‘ and also ‘Game of Thrones,’ in fairness, both projects have really complex, three-dimensional, contradictory, strong women… The writing of female characters is extraordinary and equal to the men.
Certainly, I am writing as a 21st-century woman, so I am much more inclined to view her as a three-dimensional woman. I think we keep coming up with this stubborn problem of a woman being judged by her appearance rather than her accomplishments. We are much more inclined to ask: was Cleopatra beautiful?
It happens a lot that women have to play the girlfriend role, which isn’t as three-dimensional as the male role.
The word ‘supportive‘ has no place in stand-up comedy. I hate when people are like, ‘Support female comedy.’ That’s not a real genre of comedy. I think if you have true respect for women as three-dimensional creators who are innovative, you wouldn’t group them together like that.
Whenever I do something, particularly if it’s a cameo, I make sure that I have a backstory written out so that I can talk to the director intelligent and try to communicate a three-dimensional character.
Diamond, for all its great beauty, is not nearly as interesting as the hexagonal plane of graphite. It is not nearly as interesting because we live in a three-dimensional space, and in diamond, each atom is surrounded in all three directions in space by a full coordination.

Asian men are sexy, confident, and passionate – and three-dimensional. We want the opportunity to portray roles that reflect who we are in real life.
To me, most filmmaking is a kind of visualization of how people are. The dark, the light, the absurdity of life, all the crazy things, you know? So all of the characters that I’ve made have been really close to my heart. I guess what I’m interested in is just visualizing a really three-dimensional picture of a person.
I want to make music three-dimensional. I want to make a song also a painting, and a painting also a culinary experience.
I like to play smart, three-dimensional women. I also like to play roles where the women are a little crazy. I just have a feel for crazy people.
No one knows the three-dimensional story of who I am. Or anyone is.
The way that light hits objects in life, three-dimensional objects before you photograph them, is really the story of photography.
I remember a picture on the front page of the ‘Sun‘ during the Brixton riots: a rasta guy with a petrol bomb, and a headline saying something like: ‘The Future of Britain.’ And I thought: ‘Wow! Look at the power of that image,’ and I wanted to get behind the camera to make these people three-dimensional.
There is nothing like being able to develop a three-dimensional character over a long period of time. Sometimes you aren’t able to fully portray a character because you only have a couple of scenes to do it in, and you don’t get the full life and background of that character.
I like three-dimensional characters – it’s just more interesting when you get on set.
Things danced on the screen do not look the way they do on the stage. On the stage, dancing is three-dimensional, but a motion picture is two-dimensional.
When you overcome a profound loss, or there’s some catalyst in your life that shifts everything, if you’re able to take it in stride and heal, it can make for much more three-dimensional and empathetic people.