In this post, you will find great Artists Quotes from famous people, such as Raftaar, Laurie Simmons, Olafur Eliasson, Bobby Bones, Hal Sparks. You can learn and implement many lessons from these quotes.

I just don’t like to do a lot of the normal things expected of other artists. I’m not trying to be difficult; I’m just trying to stick with what it is I want to do.
Most artists think they’re frauds anyway.
It’s a different era. Our job now is to show leadership and vision and to help the next generation of artists.
The Academy of Architecture in Mendrisio comes from afar. Our land has a millennial history of emigrations: master masons, architects, builders, decorators, plasterers, artists from the world of building.
I am a fortunate man in that all three of my daughters are exceptional. Very high beings, very smart people, very wonderful and very brilliant, very beautiful. They’re all artists.
I love Ruth Brown, not just her singing, but Ruth Brown has more girl power than anyone, because she fought hard against people who ripped her off and then helped other artists through the Rhythm and Blues Foundation.
With ‘Black Panther,’ black artists were provided with the opportunity and agency to create art that captures the full range of their imaginative possibilities. It matters that Chadwick Boseman is the protagonist and is supported by a cast of nearly all black characters.
As artists, we’re always going to like the songs we just now made over the songs we made a year ago.
New needs need new techniques. And the modern artists have found new ways and new means of making their statements… the modern painter cannot express this age, the airplane, the atom bomb, the radio, in the old forms of the Renaissance or of any other past culture.
I got to sit down with people who I admired, and have conversations with some of the greatest thinkers and artists and performers. It’s a huge privilege for me to be a journalist.

People want to be artists but don’t want to do the ground work.
Most artists have experienced the creative block. We get stuck in our work. We beat our head against the wall: nothing. Sometimes, it is because we are trying something at the wrong time.
I think you have a lot of really good artists today. You have your Beyonce, Usher, Nicki Minaj and the like. But our generation, the artists were stronger. You’re talking about myself, Ray Charles, Stevie Wonder, Roberta Flack, Gladys Knight, The Temptations, The Four Tops.
All men are somewhat ridiculous and grotesque, just because they are men; and in this respect artists might well be regarded as man multiplied by two. So it is, was, and shall be.
Country radio certainly widens the boundaries of what I can do. Other artists may do something more edgy that gets on radio and that opens the door for me to be more edgy, I think.
We are grateful, as artists, as individuals, that people have such big expectations of us, and we are ready to take on the burden that comes with the expectations.
The refusal to rest content, the willingness to risk excess on behalf of one’s obsessions, is what distinguishes artists from entertainers, and what makes some artists adventurers on behalf of us all.
There are two classes of women in Soviet Russia. There is the professional class, which has taken the place of the nobility and includes government officials, artists, doctors, composers and writers as well as former members of the old nobility whose sympathy is with the Soviets, and also the peasant class.
All of them had so much to offer us as far as, you know, knowledge in the music industry, and especially Randy and Paula because, you know, they’ve been artists.
I love artists that just do what they do with so much passion and emotion.
There are so many artists that are dyslexic or learning disabled, it’s just phenomenal. There’s also an unbelievably high proportion of artists who are left-handed, and a high correlation between left-handedness and learning disabilities.
We have to show support for artists who are trying to own things for themselves.
I don’t particularly look at other artists when I’m working. But references do come into my work intuitively.
Mother’s interest in contemporary American artists emerged during the 1920s.

My favorite artists have always been Elvis and The Beatles and they still are!
There are a lot of female artists my age around at the moment, but they’re all American and blonde and blue-eyed and smiley. I’m totally the opposite of that. I want to show a bit more attitude and I have an opinion.
I influenced the BG style by not being able to draw perspective. The BG artists developed cool graphic painting styles to make my bad backgrounds look like they were that way on purpose.
Artists are very young, and say, Um, ok, to these industry dudes.
People writing about me have said that I’ve influenced a lot of people, and there are some artists who have credited me with influencing them.
In Europe, architects consider themselves artists. They think they’re special when they win a competition.
Fame isolates people from reality. That happens to many artists, and I don’t want it to happen to me.
I understand that, because there are so many musicians, you have to make artists into brands, but I sometimes feel like I have to be some kind of non-human icon in order for people to listen to my music.
Artists teach critics what to think. Critics repeat what the artists teach them.
I’m an artist. Artists don’t need permission to work. Regardless of whether I’m acting or not, I write. I write when I’m tired in fact, because I believe your most pure thoughts surface.
Great artists are people who find the way to be themselves in their art. Any sort of pretension induces mediocrity in art and life alike.
The new artists coming through were very materialistic and Hollywood, not so engaged in communication.
The best artists are gone now.
I want to prove a point. That point is, actors are artists, not narcissists necessarily.
There are forms of art that I might not like to do myself, but I still have respect for the artists who create it.
In my off-time, I do record. Once in a while, I’ll just go into the studio if there’s a really good song that I have in my head and want to do. I think, as artists, you’re constantly in creative motion. If I stopped writing songs, then that’s a part of me that would stop in my life, and I need constant motion.
Success breeds volume, and it’s just amazing how many young writers, artists, and musicians there are in town.
I think this confusion leads intellectuals and artists themselves to believe that the elite arts and humanities are a kind of higher, exalted form of human endeavor.
Back in the 60s, San Francisco artists lived in communes.
Why are all the artists so dead-set on distorting? It seems to be a reaction against photography, but I’m not sure.
Even I have certain depictions that I personally don’t like, but I don’t believe artists should necessarily follow a particular person’s preference. They should focus on the things they like and follow their own desires.

A lot of artists fail when they try to act, and they flop. So when I get into acting, it’s going to be to do it well, something good, something of quality. I want people to say, ‘Wow, that movie’ – or that show or whatever – ‘turned out really well.’
You can hear some artists, hear five of their albums and still have no idea who they are. But if you’ve heard most of what I’ve recorded, you know me. You go from ‘Honesty’ to ‘Going Through Hell’ – you can listen to the hits, and they pretty much reflect who I am. ‘Take a Back Road’ is the same thing.
The press will naturally come and go as it has done with all artists, from David Bowie to Neil Young to U2.
I’m excited about there being more of a sisterhood these days. Back in the ’90s there was a lot of hate – the women I looked up to as artists were dissing me! It’s not so patriarchal these days – there’s more love and a lot less hate!
All artists get better with age. The more you draw, the better you’re going to get.
Visually, a lot of the electronic artists have really interesting video and interesting things like that.
If contemporary artists sincerely seek to be original, unique, and new, they should begin by disregarding the notions of originality, individuality, and innovation: they are the cliches of our time.
Once we start collecting, the more you have, the more it gets valuable and that will stop us from responding to the present and taking on new ideas what the artists are doing now.
You listen to Bob Dylan and you can’t help but think of the 60s, it’s very relational and if artists are true artists and not just mere musicians they need to be truthful because the music doesn’t come from them it comes from the universe and it’s to be shared. At best, we’re skilled presenters, and I say that at best.
I think artists who are attracted to working on the Net will adjust their work to the capabilities of a very small screen.
Well, a lot of people within government and big business are nervous of Hip Hop and Hip Hop artists, because they speak their minds. They talk about what they see and what they feel and what they know. They reflect what’s around them.
I think people always want to hear that there are barriers that exist for us. But the more I started to realize artists that are kind of like me in my lane, like, if they were white or African-American, they often had trouble because it wasn’t the quality of their music: they just didn’t stick out.
Most artists work all the time, they do actually, especially good artists, they work all the time, what else is there to do? I mean you do.
A lot of artists think they want anger. But a real, strong, bitter anger occupies the mind, leaving no room for creativity.
I don’t know any artists that are really emotionally well adjusted. In fact, I think we’re all pretty much insane.
Immature artists imitate. Mature artists steal.
My constituents include CU Buffs, ski bums, techies, artists, suburban soccer moms, and proud, hard-working Colorado families.

I feel like contemporary art is everywhere now and with the rise of the internet, it’s so much easier to see what artists are doing and to follow their careers.
People think because it’s photography it’s not worth as much, and because it’s a woman artist, you’re still not getting as much – there’s still definitely that happening. I’m still really competitive when it comes to, I guess, the male painters and male artists. I still think that’s really unfair.
I thought, ‘A biennial needs artists. I’m going to do an international biennial; I need artists from all around the world.’ So what I did was I invented a hundred artists from around the world. I figured out their bios, their passions in life and their art styles, and I started making their work.
Good artists copy, great artists steal.
Artists in each of the arts seek after and care for nothing but love.
With so many amazing artists on one bill, we expect this concert to be incredibly powerful in its ability to raise both money and awareness for the long-term rebuilding effort we must all support.
Country fans need to support country music by buying albums and concert tickets for traditional artists or the music will just fade away. And that would be really sad.
But I just love that music scene so much, and I enjoy really being around those artists and watching them even more than I do performing, because they are a whole group of people that do it because they love music.
Artists walk alone.
So ultimately, it’s idealistic to think that artists are able to step away from the power of the media and the way it controls things, and go on doing their own things.
It doesn’t upset artists to find out that artists used lenses or mirrors or other aids, but it certainly does upset the art historians.
A lot of artists that I’ve met let me know they’re huge fans of mine.
Great music and great artists create their own music and look and are not manufactured.
Lately I’ve been a workaholic. I’m in the studio all the time and I’ve helped to produce a couple of artists.
The moment you start thinking about what other people and other artists think, you’re going to start writing like other people.
Some artists and indie musicians see Spotify fairly positively – as a way of getting noticed, of getting your music out there where folks can hear it risk-free.
There is more to representing art than selling art. The life of the gallery is dependent on the renewal and refreshment of its artists and dealers. When that stops happening, it’s the end.

Artists are definitely, like, under a sort of microscope of scrutiny more than others.
You’re only dealing with whatever you know, which is a very small part of it and later on it’ll look like it has something to do with the period. Obviously, the artists have something to do with one another. They tend to set up certain common qualities among themselves.
I have a vision of artists putting into film, drama, literature, music, and paintings great themes and great characters from the Book of Mormon.
There are no categories in contemporary art. There are no rules. Artists are given the freedom to make and create whatever they please and call it whatever they please. I identify with that system, or lack of system, much more than I do the landscape of contemporary publishing.
We are all born artists… Almost everything kids do is art.
It’s a really cool time for artists who want to strive for a little more depth in what they want to say to come forward. We live in a very fast world right now. We’ve got all this media and music which is so accessible to us, it’s here one minute gone the next.
Learning to fly an airplane taught me a way of thinking, an approach to problem-solving that was applicable and effective. Pilots are very methodical and meticulous, and artists tend not to be.
Even in modern art, artists have used methods based on calculation, inasmuch as these elements, alongside those of a more personal and emotional nature, give balance and harmony to any work of art.
I had the great opportunity to work with some of the greatest artists – the Beach Boys, the Temptations, the Four Tops. Otis Redding. Wilson Pickett. Stevie Wonder. So many great singers. And don’t forget Clarence Carter!
Ever since Romanticism, an oppositional mode, artists have the right, and indeed the duty, to attack social convention. But it is ridiculous and in fact self-infantilizing for them to expect to be financially supported by the general public whom they are insulting.
All great artists draw from the same resource: the human heart, which tells us that we are all more alike than we are unalike.
I love artists like Jon B, but I don’t wanna be compared to anybody. I’m just doing my interpretation of rnb and how someone like me should be doing it.
No, United Artists was a very extraordinary organization, because once they had agreed on the director, they believed in letting him have his way. They trusted me, and that doesn’t often happen.
My education was dominated by modernist thinkers and artists who taught me that the supreme imperative was courage to face the awful truth, to scorn the soft-minded optimism of religious and secular romantics as well as the corrupt optimism of governments, advertisers, and mechanistic or manipulative revolutionaries.
I like to work with artists who are as wide in their musical taste as I am.
Most artists, you know, you spend their entire lives learning how to play music and write songs, and they don’t really know how the music business works.
My mom is actually a former prima ballerina, and all the women in my family are associated either with dance or choreography or acting, so I’m very lucky in a way because I grew up in a family of artists. I’ve been dancing since I was a little kid.
A lot of artists have really been supportive over the years.
When I think of artists I love, like J. Cole, it’s the storytelling that grabs me. I want to be honest with my music.
Great artists suffer for the people.
Everybody is bound by some social rules. But I think that artists need some kind of freedom to explore their minds and that some of them tend to take that freedom to live a little more openly or a little more dangerously, sometimes a lot more self-destructively, than other people.
My experiences have been, from the very beginning, cultural and creative. And my business has been a way of exposing the culture, exposing the artists so that the world could hear and see them.
I find that there are few reviews that extol women as wonderful artists.
I’d been watching documentaries about early rock where white artists took ‘race records’ from blues and soul musicians to achieve mass appeal. I wanted to flip that and do an EP covering only white artists.
The music is a personal expression, like art. It is something that you like doing that comes from within, and is an expression that comes from God. That is why artists are beautiful and why people who copy are not really artistic.
Since I was a kid, music has been a huge part of my life. My parents had a pretty solid vinyl collection and exposed me to some amazing artists.

Now, you can just get a laptop, get some software, put a microphone on it and make a record. You have to know how to do it. It does help if you’ve had 35 or 40 years of experience in the studio. But, it still levels the playing field so artists can record their own stuff.
I don’t live in this soul music bubble. I love Young Thug, Drake, Kendrick Lamar. I even heard that Kendrick was a fan of my music. Hopefully there’s a door open for us to do music together. He’s one of my favorite artists. I love Jazmine Sullivan, Lianne la Havas, Usher, Ginuwine. It goes further than classic soul.
The nice thing about the world that I’ve been able to inhabit for the last couple of years is that I’m given a lot of freedom. Not all artists really get that.
Black artists deserve the opportunity to create work without the burden of alleviating the social ills plaguing many black communities.
That was the magical thing about the Seventies: artists ruled. Because films were relatively low-budget, nobody cared. We could just go off and work.
The artist is an educator of artists of the future who are able to understand and in the process of understanding perform unexpected – the best – evolutions.
At that time, the academic orientation was rather technical contrary to that of the university, where art theory is very important. The teachers were renowned artists and among the best of that time.
I’d love to break America, like all artists do. It’s a lot of work but, you know, it’s got to be done!
Is there such a thing as black art? Or are there just artists who are black?
Artists aren’t really people. And I’m actually 40 per cent papier mache.
Artists, musicians, scientists – if you have any kind of visionary aptitude, it’s often something that you don’t have a choice in. You have to do it.
MAC is truly at the forefront of trendsetting, which reminds me every time I see a MAC campaign or the incredible looks their artists create backstage at fashion weeks around the world. It’s an honor to partner with a brand with such an incredible heritage and unrivaled expertise in makeup artistry.
It could be that all awful dictators are frustrated artists – Mao with his poetry and Mussolini with his monuments. Stalin was once a journalistic hack, and I can personally testify to how frustrated they are. Pol Pot left a very edgy photo collection behind. And Osama seems quite interested in video.
All artists draw from their lives, except they mask it and camouflage it… which is the smarter way to do it.
I have many favorite artists… Van Gogh as one, but he didn’t really sing a lot!
One of my favorite hip-hop artists is Makonnen. One of my favorite bands is Fall Out Boy. You put those two together, and that’s Lil Peep.
For me, the making of exhibitions has always had to do with dialogue: a concentrated, in-depth, focused dialogue with artists, who keep teaching me that exhibitions should always invent new rules for the game.
That’s my favorite subject because it really levels the playing field for artists these days. You don’t have to sell out to the record company. You don’t have to get a five hundred thousand dollars, or whatever, and pay them back for the rest of your life to record a record.
We still have a lot of work to do as African artists to get more recognition in the U.K. and the U.S., but right now, definitely, we’re getting the recognition. The thing is we have to earn it. Keep working. Stay working.
Even though it’s called Music Of Black Origin, it’s not just music for black people. Music is for everybody. I think it’s good that black music is acknowledged, and it’s open for lots of artists, including white artists who have been inspired by black musical heritage.

Artists are traditionally resistant to labels.
We’re always honored and excited to collaborate with other artists.
The British are so funny. It’s like they can’t believe I lived in Hackney. ‘You could live in Bondi Beach. Why would you want to live in ‘Ackney?’ But Hackney’s fantastic. I’m serious. There are so many artists there. I loved the markets, the parks, the pubs, the diversity. It was a cultural melting-pot.
Wynton and Christopher were really great experiences for me because they are both very gifted artists.
Before, I was more concerned with getting on the radio, like many young artists.
But some great records are are being made with today’s technology and there are still great artists among us. Likewise there are artists today who are so reliant on modern technology, they wouldn’t have emerged when recording was more organic.
When I came back to California in the early ’60s I was hanging out with Jimmy Bowen, Phil Spector, and I wanted to be a record producer and work with other artists.
I have a lot of different influences. Everything from Maroon 5, Gwen Stefani, The Clash, Kanye West – just a lot of different artists.
Like most artists, I live out of a suitcase.
I’m part of the generation that grew up with great rappers like 2Pac and Biggie and people like Amy Winehouse. We’ve seen a lot of different artists come and go. Even people who are still here, they seem consumed and blinded by fame. It may not have taken them out physically, but they have been taken out.
Hollywood used to be run by artists and people who loved artists… people who wanted to make movies for all the right reasons. For the love. The Art. To tell stories. Yes to make money as well, but it was about both. Now I feel, it’s mostly about bottom line and making money.
The Constitution wanted artists to have control over their works because they knew it would create incentive to create more works. That is clearly still the goal.
You know, Simon he’s an artist representative, but Randy and Paula actually were in the industry as artists so they had, you know, the information that they offered to us from their aspect.
We always try to sing what we feel, and it would be best if we can become artists who can deliver the feeling through our songs.
I have a long-standing history of respecting artists’ wishes.
I like working with new artists.
My mother and father are very involved with music. It’s completely part of their soul. They have an incredible record collection, all vinyl, of some of the best artists, in my eyes, that you can come across.
So much of what we do as artists is a combination of personal experience and imagination, and how that all creeps into your work is not so linear.
I think it’s pretentious to create art just for the sake of stroking the artists ego.
I always make this joke that I know you were expecting to see the big skirts and the hoops. But that was a long time ago. Artists aren’t always seen as real people. If you start out as a teenager, sometimes people want to keep you locked as that. But I’m a woman now.

They consistently hobble artists’ in the name of selling more units then are surprised when the fans don’t buy the lukewarm music this produces. So they then drop the artist.
In the seventies, a group of American artists seized the means not of production but of reproduction. They tore apart visual culture at a time of no money, no market, and no one paying attention except other artists. Vietnam and Watergate had happened; everything in America was being questioned.
When I was young, I remember feeling a real thirst for opportunities around the arts, for learning about how artists function and how institutions work.
I know there are a lot of musicians and a lot of artists, and there are a lot of writers and other people who inspire young people, but I’d like to see somebody in political life be able to connect and make these choices that we need to make in Washington real in terms of people’s lives.
There’s quite a few artists that didn’t pop off until they were a little older – Rick James being one.
The best artists know what to leave out.
Racial history is therefore natural history and the mysticism of the soul at one and the same time; but the history of the religion of the blood, conversely, is the great world story of the rise and downfall of peoples, their heroes and thinkers, their inventors and artists.
Many artists use their own lives as a kind of case study to examine what it’s like to be human.
An entire generation of talented people – engineers, artists, scriptwriters, musicians, programmers – have been busy creating a whole new art form for us. The name of this new game is interactivity.
The only legitimate artists in England are the architects.
It used to be that artists thought of nature as their environment. Now media is our environment. It has been for the past 50, 70 years. It’s what you see on TV, on the computer, what is in the magazines and newspapers.
We are passionate about making it so that users enjoy the music that they want to enjoy but at the same time fairly compensates artists. That’s not the same as saving the music industry.
Politics has always been personal for me. You know, growing up, I was in a very politically conscious household. We engaged with intellectuals and artists and academics from around the world who were thinking critically about politics and the intersection of politics and public life.
All the things we have to remember, and I’ve mentioned this before, is that we’re all artists.
If it’s stage, the two most important artists are the actor and the playwright. If it’s film, THE most important person is the director. The director says where the camera goes.
Memory is the greatest of artists, and effaces from your mind what is unnecessary.
Criticism really used to hurt me. Most of these critics are usually frustrated artists, and they criticise other people’s art because they can’t do it themselves. It’s a really disgusting job. They must feel horrible inside.
I’ve tried to help a lot of young artists get started.

Most of the more celebrated names among African-American authors, poets, and artists are known to the world because of their association with specific cultural arts movements.
All kids, when they go to school, are pretty good artists and dancers and singers and poets. All that gets buried, basically through being educated, or brainwashed.
I think artists can influence only through making music that challenges people, excites them and flips them out. Music that repeats what you know in ever-decreasing derivation, that’s unchallenging and unstimulating, deadens our minds, our imagination and our ability to see beyond the hell we find ourselves in.
Whenever I work with different artists, I expand as a song writer, as a producer, and I always want to try and find the bridge between my world and their world.
I came of age at the end of the 1960s, just when video was also coming into the world. Companies such as Sony and Panasonic were starting to market it and we artists immediately knew how it could be used.
As artists, I think that one of the good qualities we have is that we’re imaginative. We’re resourceful. We like challenges.
I’ve always gotten along best with artists.
Artists are so blessed as we get to live so many lives while doing different films.
We haven’t had a slew of artists, but the artists we do come out with have always had the same momentum.
It’s unfortunate that a lot of people think African-American female artists are monolithically R&B this-or-that, don’t have to do anything by default.
I hope that I’m sexy in a different kind of way than I think that a lot of girls are right now. I think a lot of girls in the public eye, especially musical artists, are just kind of objectified a little bit and wearing super-skimpy outfits and leaving nothing to the imagination.
Artists have really never had any representation on Capitol Hill, because it’s not the nature of the artist to join together and make a unified presence. Those days kind of died in the ’60s.
I feel a lot more comfortable being me these days. I’m constantly told that my work is good. A lot of fans and a lot of other artists say my songs and albums mean a lot to them. Isn’t that what’s important?
A collection makes its own demands. Many artists have been collectors. I think of it rather as an illness. I felt it was using up too much energy.
Women artists need to break barriers in order for women’s experience to be valuable.
There are certain people who have become better artists, but they’re brilliant at marketing. I think someone who’s been phenomenal like that is Madonna.
As the scripts come in they are sent to the artists, and the artists are either very busy, or ready to start.
Artists can color the sky red because they know it’s blue. Those of us who aren’t artists must color things the way they really are or people might think we’re stupid.
True artists are almost the only men who do their work for pleasure.
I love watching live shows from different artists from different stages of their lives. I’m always interested in the mastery of the live performance.
The technology keeps moving forward, which makes it easier for the artists to tell their stories and paint the pictures they want.
I will be developing artists for my new label. The rest is in God’s Hands.

The moment artists can just do what they love to do then music will go right back to where it used to be. I mean back in the ’60s and ’70s and ’80s, that’s what it was.
My songs are the reflection of how I think and how I feel in that moment. But I’m conscious of the fact that artists have a responsibility before the masses and they have to take care with their words.
I grew up around really not-normal people. My family is general Hollywood. They’re all artists; they’re creative people who are advocates for expressing themselves. But I also have to say I’m not impressed with Hollywood.
I’m in a position where, theoretically, I could play the same ten concertos and make a very good living bouncing around playing Mendelssohn, Tchaikovsky and Barber, but I really think artists should keep pushing limits and trying new things.
These people are artists. These people are musicians. They’re taking it out and trying to express it that way.
Art should be able to be innovative without compromising itself. That’s why I believe artists should have bigger preoccupations than checking the price tags on their work or becoming curators’ darlings.
Artists are expected to fit into fraudulent categories.
Now, there are people that are Christian artists, because they have a purpose to be evangelical for Christ. I don’t feel I’ve been called to that yet. Now, that could change. There’s no telling what kind of call God will put on my life.
It’s high time for the art world to admit that the avant-garde is dead. It was killed by my hero, Andy Warhol, who incorporated into his art all the gaudy commercial imagery of capitalism (like Campbell‘s soup cans) that most artists had stubbornly scorned.
Fraud really thrives in moments of great social change and transition. We’re in the midst of a technological revolution. That gives con artists huge opportunities. People lose their frame of reference for what can and can’t be real.
I paint German artists whom I admire. I paint their pictures, their work as painters, and their portraits too. But oddly enough, each of these portraits ends up as a picture of a woman with blonde hair. I myself have never been able to work out why this happens.
Sometimes two artists wanna work together, but it doesn’t mean it’s gonna happen, because you have to find the right idea.
There’s no question that many more women artists are showing worldwide now than they were when I was a young woman, and that’s really great.
We believe that we’ll get what we want if we continue to be BTS and know what to do as artists and performers with passion.
Subjective artists are one-eyed, but objective artists are blind.
There are different kinds of artists and very often, I’ll be very frank with you, I wish I were a different kind.
Well, Jeff Buckley for me is one of the greatest singers I’ve ever heard. And the reason why is he has an amazing range, amazing emotional power in his voice. And the music he put around it also just had this passion and this soul to it and this spirit to it that very few artists have, and he passed at a very young age.
I think I’m more influenced, just in general, not by blues artists, but more by stuff from Curtis Mayfield, Stevie Wonder. Stevie Wonder is probably my biggest musical influence of all. And Donny Hathaway.
A lot of musicians are good cooks, and a lot of cooks are musicians, but I think that may just be a result of the creative impulse finding several means of expression. Probably an equivalent number are visual artists, woodworkers or compulsive liars.
I think great artists have no time to waste with having disproportionate egos and irrational requests. They’re too focused on their work to actually lose themselves in hysterical spirals where they become monsters or tyrants.
Everybody’s waiting on the downfall of artists.

I have been influenced by many different artists at many different stages of my life. Starting out, it was people like Elton John, Billy Joel, Ben Folds, and Fiona Apple. As I got older I got deeper into the work of bands like the Beatles, artists like Sam Cooke, Ray Charles, Etta James, and Joni Mitchell.
As artists, we have to change our style to match each concept. We’re always changing, ever changing.
I’ve started confiding in people, other artists mostly, that I hate making ‘South Park,’ and I always have. It’s super stressful. I’m always miserable.
I think with certain artists you want to hear their album… and then there are other artists who I like where maybe it’s more about the single. I don’t think there is going to be one way that everything works.
Artists are like everybody else.
I come from a family of artists.
I have such respect for… the Kennedy Center Honors. To be an artist in America and to be honored for it is extraordinary. In Europe, they really honor their artists. And you are on a very high level. And here it’s not as revered as it is in Europe or Russia or anywhere in the world.
I went back and researched the history of gospel; where it came from, slavery times, communicating with each other without their master knowing what they are saying, and that gospel artists view themselves differently.
Who said that artists should sell their soul, expose everything about themselves?
I think every artist should follow their vision; their hearts is what they need to reveal, not something that society is looking out for. That said though, I think also artists have, continuously good artists, have been good for their times.
Some artists are working to buy the mansion or whatever the element of fame must bear, but I spend all my money on my show.
Artists should always think of themselves as cosmic instruments for storytelling.
If all I hired were cake decorators, our cakes would just look like cakes that people decorate. We do astounding work at Charm City Cakes and to do that you need people who think in astounding ways. Artists just think in different ways.
I see myself and many artists like me as the torchbearers through these dark ages.
Artists are going to be the metronome of this society.
I think all those artists are artists who are appreciated because you believe their words and you appreciate their honesty in their music. If you don’t appreciate the honesty in the music, the beat can be fly as hell but you’ll never give an emcee props.
I never want to be one of those artists who feels untouchable and extraordinary. I have to be genuine.
I just sit at the drawing board most of the time. I am used to talking to people. I love going to conventions, getting feedback and talking to people. Some artists don’t. Some artists sit at their drawing board because their personality actually dictates that.
The worth of a civilization or a culture is not valued in the terms of its material wealth or military power, but by the quality and achievements of its representative individuals – its philosophers, its poets and its artists.

I wish I was better at art. I love some of the great artists of the 19th century and, compared to them, I just feel I lack this technique that they had. They have so much skill.
Some of our strongest critics, especially inside the church, said we had turned our backs on traditional gospel music and were just contemporary R&B artists exploiting Christian lyrics for the money. But that’s not true.
I would love to work with Karlie Kloss and model for Chanel. And I would love to be in a music video with Lady Gaga or Taylor Swift, my two favorite artists.
I feel like that I’m learning all the time. I’m learning from new artists, from established artists… every time I listen to ’70s rock ‘n’ roll records, I’m learning. And I think that I’m just now starting to get a hold on what I do.
What men are among the other formations of the earth, artists are among men.
The song, ‘Life is Better,’ is about hip-hop. It’s about my love for hip-hop. And, you know, I go through all the artists from the beginning to the end, you know. And, well, not to the end, but since the beginning to now, you know.
You know, there are artists who are 35 and up that still make rap and that still works for them. I don’t know if I want to be that guy.
The one thing I’ve learned in the last ten years is that successful artists don’t get paid to write and sing songs, they get paid for the psychological roller coaster they’re going to have to ride. That’s the hard work.
Artists, no matter how good their intentions, are always slower than they think.
The male muse is an unaccountably rare thing in art. Where does that leave female artists looking for inspiration?
I love paying people to touch me. Nail techs, hair stylists, dermatologists, make-up artists, osteopaths: you name it, I love it.
I think musicians and artists are the most philanthropic people I know. Their charity record of the music business would hold up to the work of anybody.
Things like ‘mad as a hatter’ or ‘grinning like a Cheshire cat‘, are so powerful that music and songs incorporate the imagery. Writers, artists, illustrators, a lot of them have incorporated that.
I’ve grown up with country music. I love how real everybody is, not just the artists, but the fans.
For I must tell you that we artists cannot tread the path of Beauty without Eros keeping company with us and appointing himself as our guide.
There are so many great artists that are doing interesting things, that I don’t want to focus on boring people.
A lot of very popular mainstream artists are products of record companies and marketing companies, and any time anyone can stand outside of that, that’s interesting.
My proudest achievement has been the success of the shows and artists I have been involved with, because they were made in Britain.
They would come down in Mississippi, they hired me as a talent scout. And I would go all over Mississippi, Alabama, Texas, and find out different artists for them.
Artists today think of everything they do as a work of art. It is important to forget about what you are doing – then a work of art may happen.
Art can only be taught by artists.

Artists and scientists are very close. They always have been, but I think we’ve just been divided out over the last few centuries into specialisms. Leonardo da Vinci was drawing helicopters and all kinds of things. We’re artificially divided. I think we’re closer than we think we are.
I didn’t want to just work within Hollywood when I started a production company. I wanted to be able to collaborate with great artists from all over the world.
There’s just so many great artists out there, but I think growing up, J. Cole has been the guy that I’ve always been listening to, even in college. Going from that struggle to stardom, that rise to stardom, ‘Dolla and a Dream,’ all that stuff – I’ve listened to all his classics, all the old J. Cole stuff.
I’ve never been into artists promoting drugs.
I’m a big fan of ’70s records where artists could draw on whatever influences they wanted.
There have been many different artists that have been inspirational. I suppose the question is directed to what was the reason why I went into fantasy illustration.
We’ve had real strong aboriginal male artists who’ve crossed over to the mainstream who have toured the U.K., who have been a massive influence on myself and many, many communities around Australia.
Many artists and writers have used cannabis for creative stimulation – from the writers of the world’s religious masterpieces to our most irreverent satirists.
There are two kinds of artists in this world; those that work because the spirit is in them, and they cannot be silent if they would, and those that speak from a conscientious desire to make apparent to others the beauty that has awakened their own admiration.
Genius can probably run on ahead and seek out new ways. But the good artists who follow after genius – and I count myself among these – have to restore the lost connection once more.
I don’t have to work with superstars – I want to work with cool artists that make super music.
I think that it can be said of a lot of artists, and myself included, that we made the same record over and over from the beginning.
And a lot of the artists and people that we hired were fans of Transformers growing up, so having so many fans working on my crew really kept me on point.
To me I think artists in general make a statement – and for the rest of their lives – every album, every book – are variations on a theme.
I think for new artists the hardest thing is putting the face with a name. People maybe heard our song on the radio or something but until they get several impressions of who you are – from whatever it is, whether TV or a live show, I feel like they don’t quite connect the dots.
In my research, I’ve interviewed a lot of people who never fit in, who are what you might call ‘different’: scientists, artists, thinkers. And if you drop down deep into their work and who they are, there is a tremendous amount of self-acceptance.
Artists don’t make objects. Artists make mythologies.
Talent can be developed, gift is God-given. But artists have both.
Comedy is so subjective. If you trip and fall down, some people will laugh, and some people will say, ‘Oh, physical comedy is so pedestrian.’ Some people look at Three Stooges as lowbrow; some people consider them artists. No one is wrong. It’s just a personal take.
As an artist, I’ve always wanted to participate in the dialogue of art with other artists.
I love my body. I’m very much OK with it. I don’t think artists are ever the ones who have the problem with their weight, it is other people.
Well, I worked with lots of different artists, of course.
Favored Nations is a long-term commitment. Our hope is that those who are passionate about real musicianship will want to hear and own most of our albums. We will set out to attain the same direct relationship with our customers that we have with our artists.

For hundreds of years people have talked about artists having inspiration, but often, some persons would say, write us a symphony or write us a song, on commission. The artists would come up with a masterpiece without waiting to have their muse inspire them.
I was mostly surprised by the rap artists, actually, that were influenced by Sabbath. That was a surprise. But it’s very nice and I’m very honored. It’s nice to know after 27 years now that what I said in the first place has stuck, and that was the belief in it.
People think that the big companies make songs and their artists just release it. It’s not like that.
It’s nice to get a response from the artists that I cover.
Nobody told Don Henley or me that we were going to make it as solo artists, but I can speak for Don when I say that we are both really happy now that the band is not together.
I have enjoyed all the artists I’ve worked with.
There’s this thing called compulsory licensing law that allows artists through the record companies to take your music at will without your permission.
To be a mentor for up-and-coming artists is right up my alley.
I think that when you’re making your way up in the music industry, you have all these heroes and the reasons why they are your heroes. As soon as you get into the industry, your guidelines change a little bit. For me, my heroes now are great people first and great artists second.
There are still great artists in the country format.
In my opinion, the true pioneers are those artists who make manifest in their works the new content, the determining characteristics of life in our time.
The art world can be very intimidating because it’s just so vast. You talk to people who are really clued in to all the young artists and coming into it you’re never going to be able to catch up immediately, even though there’s pressure to.
With Spotify, I think people are discovering a lot of artists they might not discover otherwise.
Sometimes you have to be a diva. All the artists I admire from Madonna to Whitney to Mariah have all been called divas. If you are strong, if you have vision, if you are an artist, you have to do what you believe in. And if you get called a diva for it, then so what.
I hate artists who are not of their time.
We, the artists, make the stuff they sell and they’re like ticks on our backs, sucking the life out of us.
I grew up on 23, country music highway, which is a stretch of road where Ricky Skaggs and Dwight Yoakam and Loretta Lynn played. Driving up and down that on the way to school – to baseball games, to anywhere – you see all these signs commemorating these artists. It was a point of pride for my area growing up.
In the place where I was a child, there were no artists and there was no art, so I really didn’t know what that meant. I think I thought it meant that I would be in a situation different than the one that I was in.
Our co-founder and company president, Jim Levy, came from a record industry background and understood the marketing and promotion of artists as well as products. So the video game business went from absolutely zero designer credit to something approaching rock star promotion.
Admittedly, it is really our duty, as artists, to hold up a mirror to our own era; but, on the other hand, these works have lives of their own, and they’re still alive today.

I allowed artists to play for as long as they felt they could justifiably continue to create.
Many of the contradictions in Postmodern art come from the fact that we’re trying to be artists in a democratic society. This is because in a democracy, the ideal is compromise. In art, it isn’t.
I want to talk to the bullied kids of the world. Tell them to hang on, it will get better. Know that an ‘Iron Chef,’ actors, musicians, artists and all successful people have probably been bullied in their life. And the best part of your life is yet to come. Whatever it takes to live, do it!
I think the great artists, especially in literature, have always thought with the heart.
It’s something I’ve always loved doing. I’m not one of the artists who comes in and just does my bit. I’m there every second of every day. That’s my hands-on situation.
I have been surrounded by artists and paintings throughout my life. My father Ted Dyer is an artist, and from a very early age I have spent time painting and drawing.
Seeing how those companies operate, it didn’t amount to a massive vote of confidence in their artists. There was talk of me going to Columbia after that, but nothing happened. I got disillusioned, and I pulled back.
It used to be that Nashville would work to develop promising artists.
Show me a Scorsese film, and I’ll show you a movie where he’s taken risks. It’s just his nature. He’s an artist, and artists take risks. He always does what he believes in.
And their pals vote for their stuff when they’re not on the panel, and it just keeps going that way. And they tend to be very fringe artists, so anything before the 20th century is not worth considering. This is out of date.
I firmly believe artists should be paid for what they create.
Artists don’t talk about art. Artists talk about work. If I have anything to say to young writers, it’s stop thinking of writing as art. Think of it as work.
Well, first of all it’s entertainment. That stops us becoming too pretentious or thinking we’re great artists.
I think – a lot of times in hip-hop, especially – artists get kind of pigeonholed into being ‘the guy,’ and it’s kind of limiting in a way.
I listen to different artists. I open my mind to different artists.
Cartoonists are untrained artists, while illustrators are more trained.
Artists who write songs… what they’re going through usually comes through in their music.

But I listen to everything, I listen to all artists that come along.
My sisters were going out with artists and poets, and eventually it was the creative world which attracted me.
Well, I think there are artists who are more or less contemporary with Hopper who are more relevant.
Competitions are for horses, not artists.
Instead of giving all your best tracks to artists, producers now have the opportunity where we can take our favorite beats we make and put our favorite artists on them and release fun songs for people to listen to.
Usually people like to categorise artists. With my films, I categorise people: if I know which one of my movies you like, I can tell which kind of a person you are.
An artist don’t make you bigger than life – being that person that can break artists can make you bigger than life.
Apple has the radio stations, so I go R&B in the morning, and then I’ll go with some hip-hop before the game. But after the game, it’s more meditation music. It’s not artists; it’s more whatever is being played.
Perhaps all artists were, in a sense, housewives: tenders of the earth household.
Things don’t happen in a vacuum, and artists don’t make work in a vacuum.
My dream as a producer is to be able to build a company that can be a safe haven for artists, for directors and for writers and actors to do what they do best and let them have final edit. I’d like to build something to that effect.
Part of what made the Macintosh great was that the people working on it were musicians, poets, and artists, and zoologists, and historians. They also happened to be the best computer scientists in the world. But if it hadn’t been computer science, these people would have been doing amazing things in other fields.
I don’t think that artists of any kind would or could sacrifice their artistic freedom by being more responsible with their influence on people, especially young people.
Some artists imagine they’ve got a hold on this apparatus, which in fact has got a hold of them. As a result, they end up supporting a cultural prison that is out of their control.
My parents were very, very good about not separating us as kids from their adult friends. So on any given night, we’d have, like, this kind of freak show – artists and art dealers coming over. And these are the people I feel like I learned from.
We want people to see us live before we continue on and call ourselves recording artists.
I’m more hungry now than I was 11 years ago. Which is great because I see a lot of artists that have been out for a long period of time. They get kind of fat.

In my mind, if anyone can save the world from destroying itself, it will be the creative minds: the thinkers, the artists and the avant-garde trailblazers that will ultimately bring down the whole matrix of untruth and set mankind on a lesser destructive and more spiritual path.
There have been makeup artists who’ve asked if my eyebrows are real.
I have some tracks and songs written for future collaboration, and I’m happy to work with artists who have the right voice and taste.
I don’t think artists are made, I think they’re born.
You see so many artists who are so talented end up living sad, empty lives. This industry takes so much out of you that without the accountability and leaving God in the center, you can be left so empty and void.
Don’t make art for other artists or for ‘intellectuals’, make art for people – and if you can touch just one person in a lifetime and make a difference – you have succeeded.
Four Tet is somebody I respect a lot. There are other artists I admire like jazz pianist and composer Marc Moulin.
I feel like there’s a lot of pressure on artists to be 100-percent organic all the time.
I really like Kendrick Lamar. I’m still a Talib Kweli fan, Lupe Fiasco, Mos Def, Common Sense – people who say things that are relevant to everyday life. I don’t pay attention to artists that talk about throwing money away and the car that they drive.
God takes care of imbeciles, little children and artists.
It’s very important that young artists push boundaries, because sometimes you have this urge to do something – like the impulsive and dangerous urges I had as a child – and if you don’t follow through with it you might miss out on a developmental experience.
I know I’m not the kind of person who’s gonna wind up a walking jukebox, like many rock ‘n’ roll artists. They just play their hits and that’s it. That doesn’t appeal to me.
Some artists shrink from self-awareness, fearing that it will destroy their unique gifts and even their desire to create. The truth of the matter is quite opposite.
You can tell all our songs come from us and from our artists, the people we write with and travel with.
So it’s a majorly important thing for young artists, as well as older artists like myself, to know that not only do we have the right to say no, but if we don’t say no, we’re gonna die.
I just feel passionately about a few things and particularly about helping artists get off the ground.
I hope that through my work, artists will take some chances, break some rules, and make art that comes from inside of them. I would like to be remembered as a kind person, a great Mom, and a bit unruly – in a good way!
Most artists try to avoid cliches, but it’s pretty hard to avoid them if you yourself end up being one.
Honestly, I always think it’s cool when artists name their first album after themselves. It’s confident it just means like this is me, this is my project, here you go.
I have been inspired by countless artists over the years, but there’s also times when you just gotta make your own inspiration.
Working with Yachty was so fun! I love that man so much! He’s one of my favorite artists, but he’s also my favorite person. He’s so bubbly! He’s just so funny.

Artists aren’t really people. I’m actually 40 per cent papier mache.
I was being an artist, being sensitive and technical as artists are. I’m sure Leonardo Da Vinci did that. Artists don’t always feel the same as others feel about their work.
Actually, I don’t think there’s anyone that represents the artists, except the artists themselves.
There is a definite argument to be made that videogames are becoming an art form put together by artists of different types.
London was an exciting place to work at one point because, socially, it was very progressive – a catalyst. There were very interesting artists making all types of work, but it got to a point where the social aspect became claustrophobic.
Michael Jackson was a Gemini. Kanye, Lauryn Hill, a lot of people that are amazing artists are Geminis.
Independent artists and labels have always been the trend setters in music and the music business.
There aren’t many artists who can feel sorry for me.
We’re making clothes – we aren’t saving the world. I’m not saying that designers aren’t artists, but at the end of the day, we make clothes. Hopefully we make beautiful clothes with a message, but in the end it’s for people to wear. I think that the hype of fashion has come down a level.
I like working closely with artists. I think that’s very important in fantasy and science fiction – the visual aspect of the worlds and the characters.
The Renaissance is studded by the names of the artists and architects, with their creations recorded as great historical events.
Love in capital letters is important. It is impossible to live without love. You must have the feeling of being loved. All artists need love – from the audience, friends and relatives. But true and faithful friends are exceptionally rare.
The more I get to know more artists, the more they inspire me.
San Francisco has long been a leader in the arts, nurturing generations of painters, sculptors, poets, novelists, playwrights, film-makers, and performing artists and innovators of every kind.
I am from a family of artists. Here I am, making a living in the arts. It has not been a rebellion. It’s as though I had taken over the family Esso station.
He wasn’t, but producers are by definition annoying because they have a different agenda from you. They’re trying to stop you spending money and you’re trying to not spend money, but at the same time we’re great artists.
My favorite artists are Kanye West, Jay Z, the Fugees, Lauryn Hill, Destiny’s Child.
There are lots of artists I respect and admire.
The Civil Rights for Musicians Act is about economic justice for African American artists. It’s about what’s right. And it’s about time.
Puffy‘s contribution to hip-hop culture was the remix. He offered us the music that his mom played in front of him, with newer drums and younger artists. That worked, and will consistently be there. The remix comes right after the original record, that’s something Puffy did to influence the culture.
I’m not interested in people positioning me next to other artists.
The best musicians or sound-artists are people who never considered themselves to be artists or musicians.

Some people are really drawn to technology and I liken them to artists.
Many of the artists who have represented Negro life have seen only the comic, ludicrous side of it, and have lacked sympathy with and appreciation for the warm big heart that dwells within such a rough exterior.
Great artists make the roads; good teachers and good companions can point them out. But there ain’t no free rides, baby.
Not to say people shouldn’t get rich from art. I adore the alchemy wherein artists who cast a complex spell make rich people give them their money. (Just writing it makes me cackle.) But too many artists have been making money without magic.
For us artists there waits the joyous compromise through art with all that wounded or defeated us in daily life; in this way, not to evade destiny, as the ordinary people try to do, but to fulfil it in its true potential – the imagination.
I like artists that tend to be more interested in reinventing themselves, in experimenting.
A lot of artists say, I’m not political. People are afraid of this word.
Our responsibility as artists is to challenge ourselves.
You may be guided by the unending effort of poets and artists, biologists and psychiatrists to describe that irreplaceable and still mysterious emotion so essential to the human condition, but all the search engines in the universe cannot compete with the first kiss.
Great artists have no country.
I definitely hope that I’m inspiring a lot of different female artists to run with the boys.
I’m developing artists for my new record label, my son’s band, Intangible, being one of them.
I never thought of what I was doing as a way to sell the NFL. I was making movies about a sport that I loved, about players and coaches that I respected. I wanted to convey my love of the game through film. And most artists convey their love through art. And my art and my love was expressed through film.
Every day, I have new ideas. It makes my brain tired, so I spend time taking care of company quality, finding new artists, and taking care of the young artists.
For a lot of artists in the entertainment industry, we can’t become too jaded with what’s going on with our personal lives and still not be connected with our people.
That is our first amendment, freedom of speech. But I also believe that we have an obligation to the youth to be somewhat responsible in what we say on records. But I think that comes with age. I think that comes with artists growing up and becoming assured of who they are as people.
Basically everything I’ve done in art, I was in possession of when I was 20 years old. I use a waste retrieval method of working. I’ll go back and use something that disgusted me 15 years ago but that I had enough sense to think about. Some artists change dramatically. I see my work more like history being written.
Lauryn Hill’s always been a hero of mine. And Bruno Mars, Janelle Monae and Adele, those are the current artists I would reference in terms of who’s been able to do really amazing pop records with really cool, organic throwback elements of soul in there as well.
Even with so many artists using auto-tune, there’s still a growing group of artists rising up and going in the opposite direction, making music that’s real and fresh. And those cats are getting back to the basics without auto-tune. And a lot of those cats are packing out venues without getting played on the radio!

I meet many people, I talk with them, like a TV show host. I show what’s going on with Greenpeace, interesing political things, I have artists, musicians and bands.
I think a lot of Indians want Indian artists to be cultural cheerleaders rather than cultural investigators.
People might say I’m difficult, but did you ever hear anyone describe a label as ‘difficult’? By nature, artists should challenge. When they call you difficult, it is a reflection of the imbalance of power.
The truth is, we haven’t really figured out yet how artists are going to thrive in modern mass societies. We’re all experiments.
I think probably, the makeup artists don’t really know how long it’s going to take until they really work with your face and they kind of mold it and build it as they’re going along.
Disco does work better with black artists or players. They just feel it more.
No one could have ever prepared me for the whole world judging me and comparing to other artists. But what’s most important is that you have to be a good person and care about others and carry yourself well.
People like Howlin’ Wolf, Bob Dylan, The Rolling Stones, John Lee Hooker, Nina Simone, Captain Beefheart – all of these artists were what I grew up listening to every day of my life. And there’s a very healthy music scene in the west country of England, where I grew up.
No shade to the other artists in Chicago… but if you got confidence in yourself and you know you’re Number One, say it.
I look at the Samurai because they were the artists of their time. What I think struck me when I read Bushido is compassion. ‘If there’s no one there to help, go out and find someone to help.’ That hit me, because I try to lead my life like that.
Video artists being at the low end of the totem pole economically, one of the ways we survive is to go around showing work and giving these talks.
My dad’s side of the family had lots of artists and musicians. There’s an emotional, quite sentimental quality to Slavic culture. It’s very open, it loves art, it loves music, it loves literature. It’s very warm, it’s very up, it’s very down. I would celebrate that.
You don’t hear no artists from Compton showing vulnerability.
Sometimes you have the trends that’s not that cool. You may have certain artists portraying these trends and don’t really have that lifestyle, and then it gives off the wrong thing. And it becomes kinda corny after awhile. It’s really about keeping hip-hop original and pushing away the corniness in it.
We wanted to meet him, for though we were neither of us naive people we had not wholly lost our belief that it is delightful to meet artists who have given us pleasure.
We was just talking truth. We wasn’t trying to be political. We was just trying to be hip-hop artists.
I thought actors were artists and that artists had to be European.
The only people left in America who seem not to be artists are illustrators.
Too often, if you look back through the history of representation and you take the work of African-American artists, the work is on such a modest scale that it becomes sort of inconsequential.
I draw cinematic and photography and art references from everywhere. That’s part of my job. So yes, you watch films, you see artists for palettes, photographers for mood.
But I found a lot of artists at the Cedar Bar were difficult for me to talk to.
For those who aspire to become K-pop artists, I’d like to say ‘Have confidence and love yourself.’
As artists, we are blessed to be able to make money but, on the same note, are held accountable for our federal tax obligations just like everyone else.
It’s a funny relationship that makeup artists have. I always feel kind of like a dentist. People look at me and think of pain.

The tradition of classical music and the opera is such that it used to be the place where social intercourse could take place between all parts of society: politicians, industrialists, artists, citizens, etc. That tradition, I think, still exists, but it’s much, much more diluted.
Just as Renaissance artists provided narratives for the era they lived in, so do I. I’m always looking beyond the surface. I’ve done that ever since I first picked up a camera.
Many jazz artists go to L.A. seeking a more comfortable life and then they really stop playing.
I do think there is a link between the accidental art the sciences produce and the deliberate art the artist creates, but I can’t help feeling that the innocence of the accidental art of science has a power and curious beauty that artists are hard-pressed to match.
The Whitney is a museum that has a great rapport with younger artists and the community.
I’m my own artist, and I see artists as movies. No one should try to change them for anything. If you don’t like it, you just don’t follow it. And if you don’t like a movie you don’t watch it. Watch another movie.
I know it is common nowadays for artists to start labels but this is a thoroughly constructed vehicle for inspired talent. This is a market that we’ve been living, breathing and eating for our entire lives – one where a huge void currently exists. Favored Nations is a long-term commitment.
When I began competing with the other artists in New York, I discovered classical North Indian music.
I think my iTunes is a kind of strange and embarrassing mix of show tunes and artists that I have no perception of whether or not they’re huge or not, you know? I’m the kind of person who doesn’t realize that The Arcade Fire is a big deal, but then I expect everybody to know Cocoon, and people tend to not know Cocoon.
The individual – man as a man, man as a brain, if you like – interests me more than what he makes because I’ve noticed that most artists only repeat themselves.
I’ve had mixtapes that have been better than albums I’ve heard from other artists. I take my time; I put my heart into it.
I’m taking a lot of my favorite artists, different people, my favorite music and marrying that with what I do as a comic. It’s very collaborative, arty, fun and cool.
I definitely believe that there are songs that, as artists, we don’t know the full potential.
A lot of the hip hop artists don’t write music. They write words.
Comedy is a universal language. I grew up watching Nagesh, Surilirajan, Thenga Srinivasan and S.V. Shekhar’s comedies. And, of course, Charlie Chaplin! These artists are so blessed: they can make other people happy.
I wanted to create this dialogue between music and visual art and vice versa. No matter what part of the spectrum they fill, whether it’s visual, music, or whatever, artists are interested in other art forms. Your brain is already kind of firing in that way.
The artist is something of an outsider in America. I have always felt that America does not value its artists, certainly not in the sense that the Europeans do.
I’m quite sure that all true professional artists, of every description, in all walks of life, whether their craft is painting, music, sculpture, medicine or anything, have one primary concern – mankind.
I was the least Pop of all the Pop artists.
I just am fascinated by other female artists, probably because I feel a kinship with them, no matter who they are and what they do.
Art doesn’t interest me. Only artists interest me.

I see so many activists… who are artists because they feel that they have the power of communication.
I want to invest and have my own record label and artists. I want to have a business where my kids, kids, kids will still have something going on long after I’m gone.
Because artists can be extremely eccentric and insane, and unfortunately, the people they hurt the most are the people that are closest to them.
Unauthorized use of these MP3 files is really creating a problem for artists in the music community.
The film of tomorrow will not be directed by civil servants of the camera, but by artists for whom shooting a film constitutes a wonderful and thrilling adventure.
What we have as artists is the immortalization opportunity that others don’t have, because our work is lasting; it’s there forever to view.
Most comic scriptwriters are very bad. The artists are good, but the writers are so bad.
Well Ice H20 is my company that I plan to take to the next level with new artists, books, movies and so forth. It’s more like a multimedia brand that I want to take to the next level and put some talented people on.
I’m doing what all modern artists do now, which is nothing – just sit around and dream about things. I’ll do what they call ‘the stroke of genius.’
Back in the day, artists could be mysterious. Now, people want to know and hear everything about you. They want to see and feel the mess that is life – and who are bigger messes than artists?
If I had different parents who were in it for the money, I might have a different perspective. But they really are artists; they intelligently approach each character and prepare in every sense of the word. I grew up in a world that had great discipline.
In the 1970s, for all the Stevie Wonders, I’m sure there were five artists that were making forgettable music.
To the extent that ’60s guys own things, yes… but I don’t have the publishing, just like most ’60s guys, and that was an error, you know… part ownership in publishing was the kind of era that started a little bit later, when real businessmen started to manage artists.
Artists don’t always know. Almost every song I ever recorded that was a hit at the majors that the promotional people picked I didn’t think it would be a hit. I was wrong every time!
Music is more emotional than prose, more revolutionary than poetry. I’m not saying I’ve got the answers, just a of questions that I don’t hear other artists asking.
Even Michelangelo got paid for doing the Sistine Chapel. To those artists who say they’re doing it for the love of art, I say: Get real.
There’s artists that I’m working with on a new label of mine. Foxy Nova and Supa Nova.
I find inspiration in what artists and regular people on the street wear, but I’m also very influenced by what I like to wear since I style myself.
I have different goals. I want to sign artists. I want to open up businesses.

Country artists have advantages all over the place. The radio support is incredible. The fanbase is rabid, all over.
The industry is a menace to artists.
There has never been any proper commitment to marketing these artists and their music. We are not Sony.
It’s nice to sometimes get things out of life, rather than stealing from other artists. I’m trying to steal from the real people.
I find beauty in the grotesque, like most artists.
I grew up with an artist father, and my parents’ friends were also mainly artists or writers, so he connects what I do with his example.
It’s time for artists to take their music back.
Mistakes and dead-ends often mean more to these artists than any proven problem.
I’ve always seen it as the role of an artist to drag his inside out, give the audience all you’ve got. Writers, actors, singers, all good artists do the same. It isn’t supposed to be easy.
I have come to believe that a great teacher is a great artist and that there are as few as there are any other great artists. Teaching might even be the greatest of the arts since the medium is the human mind and spirit.
I made it easier for many artists to play in certain areas.
Artists instinctively want to reflect humanity, their own and each other’s, in all its intermittent virtue and vitality, frailty and fallibility.
The best advice I’ve received is to be yourself. The best artists do that.
I realised the bohemian life was not for me. I would look around at my friends, living like starving artists, and wonder, ‘Where’s the art?’ They weren’t doing anything. And there was so much interesting stuff to do, so much fun to be had… maybe I could even quit renting.
Know the names of past and current artists who are most famous for playing their instruments.
I can’t speak for other artists; every group has a different approach. For us, it will always be important to keep working hard, dancing better, writing better songs, touring, and setting an example.
I couldn’t do country, with all due respect to all country music artists. My parents dressed me up with a cowboy hat and we’d go to the rodeo when I was younger and it traumatized me for life.

Artists speak the truth to the public without fear of retribution or damage to their careers.
I hope and believe we are paving a better future for female artists to come.