In this post, you will find great Rehearsals Quotes from famous people, such as Carmen Electra, Jonathan Levine, Barbara Grizzuti Harrison, Djimon Hounsou, Pauly Shore. You can learn and implement many lessons from these quotes.

I struggle quite a lot in rehearsals, partly because I’m shy, partly because I still don’t really understand the work that actors and directors do. I love the magic at the end, but the getting there – the wrong turns that are necessary to make something work – I find slightly beguiling and worrying.
I have a photograph at home of Fred Astaire from the knees down with his feet crossed. It’s kind of inspiring because it reminds me his feet were bleeding at the end of rehearsals. Yet when you watch him, all you see is freedom. It’s a reminder of what the job is about in general, not just being in musicals.
Rehearsals are for gags.
I’m heavily involved in the creative with choreographer Christopher Scott. I go to rehearsals with ‘Glee‘ and then practice with LXD till about midnight.
I think for an upcoming actress the biggest challenge is that sometimes there are situations when she has no luxury for rehearsals.

Rehearsals and this band are two words that don’t really go together, kinda like Military Intelligence.
My mum was ill when I was originally making ‘Edward Scissorhands’ in 2005. I was virtually visiting her every night after rehearsals, and she never got to see it.
Going to rehearsals was too depressing, and missing rehearsals was also depressing, so it was like a vicious circle.

I like to rehearse. We did a lot of rehearsals for ‘Moneyball,’ but it is really individual to the actor. It’s not like, ‘Here is my process, everybody. Fit in.’
You know, Nirvana used to start rehearsals with the three of us just jamming. For, like, a half an hour, just noise and freeform crap – and usually it was crap. But sometimes things would come from it, and some songs on Nevermind came from that, and ‘Heart Shaped Box‘ and stuff on ‘In Utero’ just happened that way.
I never used to want rehearsals, because I was like, ‘Oh, no. I’m more spontaneous. I’m a natural. I’m a one-take person.’ But that was because I didn’t have any training. I was going off instinct.
The first time I found out that ‘Boo‘d Up’ went platinum, I was handed the plaque. They really surprised me. I thought we were gold, and then Mustard and my managers brought the plaque to my rehearsals and told me. I was like, ‘You are lying!’ Like, I couldn’t believe it. I’m just honored, honestly. It’s a great feeling.
I don’t think of it so much as the shows I did or the film sets. I mean, sometimes you’ll get a nice location, but it’s more, ‘Who am I meeting on a day-to-day basis?’ Often the rehearsals are a lot more fun than the show itself.
‘Five, Six, Seven, Nate!’ opens on my 13-year-old protagonist packing up a duffel bag and bidding his Midwestern town goodbye, heading off to start rehearsals for his New York City debut in ‘E.T.: The Musical.’
I think that sometimes in theater, I don’t prepare much beyond going to the rehearsals.
Wu-Tang has only done, like, three rehearsals throughout our whole career.
I don’t really think about dance except just before rehearsals start. I put it off. I don’t live my life thinking about dance.