In this post, you will find great Gaze Quotes from famous people, such as Mohsin Hamid, Tanya Saracho, Shabana Azmi, Friedrich Nietzsche, Fatema Mernissi. You can learn and implement many lessons from these quotes.

I don’t have the time or the desire to gaze at my navel.
Every so often, we all gaze into the abyss. It’s a depressing fact of life that eventually the clock expires; eventually the sand in the hourglass runs out. It’s the leaving behind of everything that matters to us that hurts the most.
As an American writer, the literary tradition that I draw on the most is the Anglo-American one, and when you are writing in this tradition, the Orientalizing Western gaze is something you have to constantly push against as well as compromise with.
Young action heroines feel in service of male gaze, rather than being the full complexity of a human being.
Our computers have become windows through which we can gaze upon a world that is virtually without horizons or boundaries.
As an artist, there are times when you need to take a leap of faith… For me, it’s important that the gaze is correct.
In the drag community it’s mostly women in the audience, even for burlesque. I think people look at strippping as a male gaze thing and I think the actual neo-classical burlesque community is more about women supporting women and their creativity, along with freedom of expression.
That penetrating gaze, that intelligence; it’s hard not to be anthropomorphic when you’re looking at a great ape – at any primate – but especially with gorillas. They’re just so magnificent.

If there’s a woman who is exhibiting her femininity or performing her femininity, it’s always seen as meant to pull in the male gaze.
Mothers subject their daughters to a level of scrutiny people usually reserve for themselves. A mother‘s gaze is like a magnifying glass held between the sun‘s rays and kindling. It concentrates the rays of imperfection on her daughter’s yearning for approval. The result can be a conflagration – whoosh.
Through his mastery of storytelling techniques, he has managed to separate his character, in the public mind, from his actions as president. He has, in short, mesmerized us with that steady gaze.
I seek to cast an incorruptible gaze on women, especially where they are the accomplices of men.
Before I had my son, I became obsessed by this painting I’d seen in an art gallery. It was a lot of money, but I felt such a rush of adrenaline when I wrote the cheque to buy it. I thought I was going to gaze lovingly at it forever, but after just two weeks, I realised I didn’t really like it any more.
Gauguin is creepy – let’s just face it. He goes off into the Pacific, and he’s looking at these young girls, and the colonial gaze: It’s just really problematic.
There’s this long history of colonialism and the colonial gaze when applied to matters related to China. So a lot of conceptions about China in literary representations in the West are things you can’t even fight against because they’ve been there so long that they’ve become part of the Western imagination of China.
Statues are one of the ways I try to test the traditions of European culture against the most modern destructive forces. I often make a point of seeking them out and have used them as mouthpieces in my film poetry, as with Heinrich Heine in ‘The Gaze of the Gorgon.’
He who looks the higher is the more highly distinguished, and turning over the great book of nature (which is the proper object of philosophy) is the way to elevate one’s gaze.
Regardless of the business aspect of things, is there a reason that there isn’t a female Hitchcock or a female Scorsese or a female Spielberg? I don’t know. I think it’s a medium that really is built for the male gaze and for a male sensibility.
I don’t even know which end of a computer one is supposed to gaze into. I’ve never used a computer.
Now that we are used to globalisation it’s hard to imagine a time when the countries behind the iron curtain were largely obscured from the western gaze. The Soviet bloc was a genuine mystery. Such was the dehumanisation of the Soviets that Sting could wonder in song if ‘the Russians love their children too.’
Not so long ago, my feminist education taught me to ask the question, ‘Is the gaze male?’ The answer, apparently, is yes, which is why so many movies and television shows are about men and not women.

I hate people who ‘gaze rape’ me.
In a lot of the Regency stuff we’ve seen in the past, we see a very composed woman. There’s not much sexuality there. It’s very much the male gaze.
You have woman filmmakers, who have a male gaze. They play according to the rules of the patriarchal system and make a success of it.
I told Mother of my decision to study medicine. She encouraged me to speak to Father… I began in a roundabout way… He listened, looking at me with that serious and penetrating gaze of his that caused me such trepidation, and asked whether I knew what I wanted to do.
When I was a young boy, I used to gaze through the microscope of my father at the insects in amber that he kept in the house. And they were remarkably well preserved, morphologically just phenomenal.