In this post, you will find great Streaming Quotes from famous people, such as Sunil Chhetri, Jane Lynch, Tae Yoo, Michelle Williams, John 5. You can learn and implement many lessons from these quotes.

I don’t spend too much time on my phone, laptop or television. However, I do occasionally watch documentaries and shows on streaming platforms.
Broadband connections allow us to access more robust types of content, services, and applications – video chat versus email, or live streaming versus chat, for example. Yet if we look beyond our own personal use, we can see that broadband Internet access is not merely a convenience: it is a powerful force for social change.
The fact is that ‘free‘ in music streaming is so technically good and ubiquitous that it’s stunting the growth of paid streaming.
With our work at Kazaa, we began seeing growing broadband connections and more powerful computers and more streaming multimedia, and we saw that the traditional way of communicating by phone no longer made a lot of sense.
I think streaming technology is definitely coming, and it’s gonna make people’s access to games infinitely easier. You’ve seen it happen to music and movies, and I think it’s a great thing.
The diversity of content is now offered from streaming and downloading, so young people are really not going to theaters because they don’t see any particular benefit.
I think that we’ve got a huge head start on things that are not easy to do: progressive streaming, to be able to stream in very high quality, even in an environment of highly variable bit rate, and to work on a big variety of devices seamlessly.
Most companies that are great at something – like AOL dialup or Borders bookstores – do not become great at new things people want (streaming for us) because they are afraid to hurt their initial business.
Because of things like iTunes and streaming and social networking, it’s destroyed music. It’s destroyed the motivation to go out there and really make the best record possible. It’s a shame.
Streaming services are very important.
Movie theaters still exist in spite of all of the alternatives that are available, video and video-on-demand and DVD and streaming video and all of these things.

For the BBC and others, a free website is an obvious and relatively cheap addendum to their main purpose of streaming news and entertainment on screen to a mass audience.
Streaming is something that’s going to require tons of billions of dollars of investment, building server farms close to users and 5G and everything else.
The idea was called Justin.tv. The idea behind it was, basically, to create our own live-video streaming show, like ‘Big Brother,’ about ourselves, these entrepreneurs trying to make a reality show. It was a little bit meta and we launched this show.
I think streaming, in general, is democratising music in general.
During launch, the outside of the rocket is covered in a protective fairing, so we couldn’t see outside, but as soon as that was jettisoned, my first view of the earth was over the Pacific Ocean, which was this wonderful deep blue, with clouds just over the top, and sunlight streaming in through the window.
I think sometimes we get focused, especially in America, on the traditional broadcast networks as establishing something as being sort of mainstream, and I think what we’ve found over the years is that streaming is mainstream, and it’s also way more accessible.
To me, the machinima artform has essentially evolved now into the Let’s Play streaming world. That’s what it is: it’s people performing and creating art using video games. It’s just more personality-driven rather than story-driven these days.
The stigma that used to exist many years ago, that actors from film don’t do television, seems to have disappeared. That camera doesn’t know it’s a TV camera… or even a streaming camera. It’s just a camera.
My main concern about coming back is being able to financially support it on my own. I don’t want to depend on any record company to do it for me. But I have a fan base, people still streaming my music.
People are experimenting with streaming, with subscription services, whether it’s a Spotify or a Pandora or a Rdio.
‘Frontline’ started doing digital content in 1995. We started streaming our films in 2000.
I founded Netflix. I’ve built it steadily over 12 years now, first with DVD becoming profitable in 2002, a head-to-head ferocious battle with Blockbuster and evolving the company toward streaming.

Apple, iTunes, and streaming services have made the single a more easy thing to access. What that’s done has made the album as a collection of songs almost meaningless. But an album that has a concept or story or reason to be an album, if anything, has more meaning now than it ever has.
There’s a finite market for DVD-by-mail, and the growth over the next 10 years will be in streaming.
So much time and attention has been spent on streaming that we’ve really gotten away from some of the things that we could have, energywise, put into working together with radio more closely for terrestrial.
On Netflix and other streaming services, they’re taking risks that are based on ‘Come with us! Come with us!’ and the audience does.
I don’t know where streaming will go in the future. The analytics that we’re seeing tell us that streaming is the next thing, and downloads are going down. I feel like with the history of this platform, from vinyl to where we are now, it just seems like the next logical step.
There is something about a live performance that you just cannot replicate anywhere else. Live streaming has been wonderful but it’s just not same as sitting there and experiencing that electricity, with a group of other people that you don’t even know and all being brought together.