In this post, you will find great Real Person Quotes from famous people, such as Laurence Fishburne, Benny Blanco, Brad Garrett, Joe Mantegna, Sarah Weinman. You can learn and implement many lessons from these quotes.

When it’s a real person, you want to be as honest as you can and approach it in a similar way as you would any other character, but with that restriction and wanting to respect the boundaries of that person and not be intrusive in any way.
But when you work with the director and the real person who is playing opposite you, it changes everything. You are almost in a working session. I was very comfortable, and that’s maybe what helped me to get the part.
When I am a good guy on TV, my character tends to be almost identical to how I am as a real person. However, as a bad guy, I get to be the opposite. I get to be a jerk. I get to talk trash, I get to say all the things that I’m thinking but have to restrain myself from saying out of respect or decency.
Every field piece I did on ‘The Daily Show‘ was a story that lasted five to six minutes. We had a protagonist, we had an antagonist and often put them at odds. We knew the story we wanted to tell before we went in, and often it was about plugging whatever character you have – in this case, a real person – into said part.
But people who do not know me are surprised to see me as a real person I guess.

Portraying Pocahontas’ story well was important to me because she was a real person and these were real events in her life.
I’m not handled. I’m not crafted by slick, high-priced consultants. I’m a real person, a genuine person, a struggling person in Connecticut.
I like to play people that are real, a real person, and then something that’s interesting with that person. I think it’s a lot more challenging to do that than something that’s extremely fantasy-like.
You can be empathetic to a character in a book in a way that you can’t with a real person, which is weird, because you know everything there is to know about them.
Everybody is responsible for their own actions. It’s easy to point the finger at somebody else, but a real man, a real woman, a real person knows when it’s time to take the blame and when to take responsibility for their own actions.
In the ‘Nude Descending a Staircase,’ I wanted to create a static image of movement: movement is an abstraction, a deduction articulated within the painting, without our knowing if a real person is or isn’t descending an equally real staircase.
You project a version of yourself to the public to protect and insulate yourself a little bit. Actors come up with a version of themselves in order to protect the real person.
Just stay real and stay a real person.
I am a real person that cares about his art and cares about what he’s doing – I have a heart and a soul and want to touch people and give.
I don’t think the Internet is necessarily a dangerous place. It’s only dangerous if you don’t make people earn your trust. You can’t take people at their word. You got to do a little digging and make sure to verify that you are talking to a real person or the person that you think you’re talking to.
And I think when you’re playing someone who is a real person, it’s extremely important to take the time and put in the effort to learn about who they are to be able to respectfully portray that.
If you’re playing any real person, live or dead, you certainly have a responsibility to produce that reputation in some way.

I’m am really a real person.
A movie about a weak, vulnerable woman can be feminist if it shows a real person that we can empathize with.
I’m not a real person. I’m a legend.
With a lot of actors, you’ve got to chip through the surface to see who the real person is.
I mean, there was a portion, of course, that I think, when I look back now, that there was a portion of what attracted me must have been the awe of him being a powerful man in this environment, not to take away from who he is as a real person.
I’m just a real person, not a caricature.
There is a sense of responsibility when you play a real-life character because there are people who will see your work, make comparisons, and judge you. They have all the rights to do that because they know the real person. They might have seen that person also.
I think that’s the most important thing you can do to be a real person – is to be honest with yourself.
It’s not good just to have life experience of film-making and that’s all. It’s hard to play a real person when you’ve been in jets and town cars for three years.
I’ve been very careful to always make clear that I am a real person. That’s why I’m on social media a lot.
You know what matters? Touching people. Being a real person. Because when you’re in front of real people, they gon’ give you a real reaction.
Most people never really sat down and got to know a homeless person, but every homeless person is just a real person that was created by God and it is the same kind of different as us; they just have a different story.
I feel like when you’re a celebrity, people dehumanize you and they forget you’re a real person.
I rarely play a real person, because I don’t think I’m a good imitator.
The first time I saw my look on a real person was in Paris, and I felt a little shock, a little thrill that went through my body. And that thrill never goes away – never.
I want people to know I’m a real person, that I don’t have someone running my Instagram; I don’t have someone prewriting all of my interviews and stuff.
I’m a real person that cares about his art and cares about what he’s doing. I have a heart and a soul and I want to touch people and give.