In this post, you will find great Compose Quotes from famous people, such as Krzysztof Penderecki, Anu Malik, Rosalia, Mohit Chauhan, Felix Mendelssohn. You can learn and implement many lessons from these quotes.

The way to compose for me is to have lots of time.
I am not a methodical singer. I don’t follow any process or rules; what I follow is just my heart – whatever I experience, I just write and then compose it.
But somehow, I felt no inclination to be interested in it in any amateur way, let alone professional, until suddenly I became interested. And the first thing I did was to compose: not play an instrument, but to compose.
I would love to compose something for dance before I kick the bucket, and I’m not closed-minded about the dance, or the dance company. I would really just love to collaborate on that.
Let’s say intelligence is your ability to compose poetry, symphonies, do art, math and science. Chimps can’t do any of that, yet we share 99 percent DNA. Everything that we are, that distinguishes us from chimps, emerges from that one-percent difference.

Sometimes, I make music in my sleep. So I get up, put on my headphones, and compose it on the piano.
I can’t write, I can’t paint, I don’t compose.
Together we must learn how to compose differences, not with arms, but with intellect and decent purpose.
Once we realize the extraordinary power we have to compose our lives, we’ll move from passive, conditioned thinking to being co-creators of our fate.
People compose poetry, novels, sitcoms – for love.
I would enjoy venturing into music, as I do write songs and compose music! And, of course, dance, rhythm and performance are in my blood, so eventually I see myself doing something in that area, surely!
When I was asked to compose a score for… ‘Palo Alto,’ I first thought to myself, ‘What is the house that these characters would want to live in?’ I wanted to paint a picture and color scheme that I could work around. I gently apply different daubs to see what fits to match the color I have in mind with these characters.
As soon as I choose the timbre of an instrument, that dominates how I compose.
In 2015, an opera opened about me and Justice Antonin Scalia. It’s called ‘Scalia/Ginsburg.’ The composer, Derrick Wang, has degrees in music from Harvard and Yale. Enrolled in law school, he was reading dueling opinions by me and Justice Scalia and decided he could compose an appealing comic opera from them.
Every day I paint, and every day I compose music.
If you compose a song from your soul, it will come out well.
With the help of modern technology, I can compose intricate keyboard parts and then I have to go back and learn them in order to perform them properly.

It’s great to compose music just for my own enjoyment, but that I have been able to make a lot of new friends, have shows everywhere, and get to know so many places all thanks to music is impressive to me.
As states subsist in part by keeping their weaknesses from being known, so is it the quiet of families to have their chancery and their parliament within doors, and to compose and determine all emergent differences there.
Right now I’m listening to a lot of different things but I listen to a lot of classical music. Eventually I would like to compose and perform classical.
The U.S. will ignore the opinion of the Iraqi people and it will compose the new government according to its own desires.
There are no rules and regulations for perfect composition. If there were we would be able to put all the information into a computer and would come out with a masterpiece. We know that’s impossible. You have to compose by the seat of your pants.
One of the challenges is creating characters. I am trying to compose my sentences to express epic events happening to ordinary people.
Way back before 1980, prior to ‘Disco Dancer‘ breaking into the collective consciousness of filmgoers, I had come to Chennai to compose for a film called ‘Suraksha.’
It’s hectic at times, but this is what any artiste wants: a hectic life with lot of travelling, performances, lots of love from fans, the opportunity to compose songs back-to-back, and a chance to share the stage with maestros like Zakir Hussain.
I get to tell the most interesting stories I know how to tell with the most interesting sentences I know how to compose – and people who aren’t related to me read them. To be paid to write things that matter to me is extraordinary.
I did psychology at university, but I wouldn’t say that my music is too influenced by it. The way I make music is a little more to do with an emotional connection. When I compose the melodies for my tracks, it always comes from the heart.
Just recently, I thought about how maybe I should have kept using the synthesisers more after ‘Merry Christmas, Mr Lawrence‘; then, I would have been a more unique soundtrack composer than I am now. It could have been my signature. But then, probably, Bertolucci would not have offered me to compose for his films.
Normally, when people compose for film, you give them the film, and they look at it, and they compose it.
Every time I sit down in front of my piano, I like to improvise with the instrument. It depends on my mood of that day what kind of melodies and rhythms I am playing around. Sometimes, even before starting to play I already have a quite clear picture of a song I would like to compose, or at least the sound of it.
