Top 95 Travis Scott Quotes

Me being in Houston, I wanted to leave there because it was only known for one thing. That’s why I hit N.Y.; that’s why I hit L.A. That’s why I hit Paris, London. I just picked up basically everything, but I morphed it into what Travi$ Scott is and into what I know is fresh.

My grandad, he has his doctorate in psychology.

I don’t write; I just go in the booth.

I’m attached to the beat. The beat speaks words. I love music.

I never produce a song, whether writing it or making a beat, and give it a wack visual or wack performance. I’m like a trifecta.

I feel like ‘Birds in the Trap‘ seem united; it’s just metaphor for ones in their box that are stuck and can’t get their creative idea out.

Every time I go into the studio, it’s some next level, man.

My A&R at Epic got fired the first week I got signed.

I have devoted myself to the Rockets.

I don’t write; I just go in the booth.

I must say, I’ve been in the studio with Jay Z, dog… I thought the freestyle thing was a myth. But, bro!

I skipped ‘College Dropout’ and ‘Late Registration‘ and went straight to ‘808s & Heartbreak.’

I must say, I’ve been in the studio with Jay Z, dog… I thought the freestyle thing was a myth. But, bro!

Money is something that keeps you alive and healthy and just keeps you focused. It’s the drive. It’s the passion.

Beyonce is, like, the highest level. We all reach for that level.

I see hip-hop as going in a self-managing place. It’s very culturally controlled and artist-controlled. It’s not really based on a label anymore. Everything is pretty much in the control of the artist. Which is amazing.

I have this old Polo jacket. I’ve got to bring it wherever I go. And I have this one cape that somebody gave to me. It’s this jumpsuit with this cape on the back that this one person gave to me. It’s clutch.

I don’t need a stage to perform. We just need something to stand on.

I’m just here for good times, man. I want people to have the best time ever. Especially if they’re around me.

James Blake is a real good friend of mine. He’s real different than what you thinks. He’s super turned up.

I was born in Houston, Texas. I grew up in Houston, by Missouri City. It’s, like, a suburb in the area; it’s middle-class. But I used to stay with my grandma in the hood from ages one to six.

I design music; I don’t produce it.

I wouldn’t make music with you if I didn’t know you. If you’re a good artist, and if you know it as well, I’m down.

I was working with Jay Z while I was still learning how to be who I was about to become.

Yes, money is important. But it’s all about the creative process.

That’s where I get my whole music theory from, my pops and my grandfather.

In my whole career, all I wanted was acceptance from Kid Cudi. I don’t care about nothing else! This dude saved my life.

You can’t buy vision, and you can’t buy aesthetic.

My work ethic is crazy. I’m a producer, an artist, and a video director.

My mom worked for Apple, and my dad owned his own business.

I’m super nice – I just get excited!

I’ve been really trying to put people onto, like, my sound since I was, like, 17, 16.

I’m a Bieber fan, man! That kid is ill!

You can’t buy being a rock star.

I’m La Flame at all times. That, at times, can be bad, at times can be good.

I remember my mom bought me one of their shirts for Easter so that I could wear Helmut Lang for Easter. That was my first piece.

I design music; I don’t produce it.

My whole story is straight mythical. It’s tangible, but it’s also what life could be.

I’ve got a song with Roscoe Dash – that’s next level, man.

With albums like ‘Rodeo,’ ‘Days Before Rodeo’ and ‘Owl Pharaoh,’ I was really tuned into wanting to get people to understand my conscious and who I was mentally and who I am mentally.

I feel like more artists like me should be on the radio. Everything is, like, so controlled by, like, super popular music. You know what I’m saying? Like, c’mon.

My grandad, he has his doctorate in psychology.

I’m not a gangsta.

Everybody just has different steps in their life that they take to do what they should.

I’m attached to the beat. The beat speaks words. I love music.

When you come to my show, it’s like a no-holds-barred, underground Royal Rumble.

I feel like ‘Birds in the Trap‘ seem united; it’s just metaphor for ones in their box that are stuck and can’t get their creative idea out.

You’ve gotta motivate kids. They wanna grow up. They got problems. You’ve gotta give ’em that music to make ’em feel like they’re OK, and it’s only a couple of artists that do that.

A nerd can call another nerd a nerd.

I know what my identity is.

‘Days Before Rodeo’ is just the journey of me finding out who I am.

The most ironic thing is my grandfather has his masters in music composition; he was a jazz composer. My dad was a musician, too. He played more, like, soul music.

You can’t buy vision, and you can’t buy aesthetic.

I was working with Jay Z while I was still learning how to be who I was about to become.

Beyonce is, like, the highest level. We all reach for that level.

I’m an artist. I produce, I direct, and all of that goes into the music.

‘Days Before Rodeo’ is just the journey of me finding out who I am.

I was a smart kid. I went to private school in middle school and got kicked out.

My mom worked for Apple, and my dad owned his own business.

I think of Westernized culture as a good visual for my music.

I don’t look at myself as a designer; I’m focused on music.

There’s a lot of us out here that are birds, man. We all need to just fly.

I was in early on with ‘Yeezus.’

When I was three years old, my dad bought me my first drum set.

I don’t really write. I’m an on-the-spot type of person. This beat, let’s listen to it; let’s vibe. And then I’ll do a melody, and then we’ll go back and do it.

I’m not into just one thing; I always felt like I had to have my hand in everything revolving around what I do, whether it’s directing videos, making beats, making music, performing.

I like how fashion is becoming more like music. It’s more adaptive to young kids. It’s more adaptive to a more on-the-go lifestyle. More street vibe. But I’ve always been into it.

I want to do what Kid Cudi did for kids for my generation.

Cudi should be a top tier artist… I think he fathered a lot of the style of music. He’s a good influence and a good help.

You can’t buy being a rock star.

You grow up in a small community, there’s no outlet like New York or L.A.

I’m super nice – I just get excited!

I was born in Houston, Texas. I grew up in Houston, by Missouri City. It’s, like, a suburb in the area; it’s middle-class. But I used to stay with my grandma in the hood from ages one to six.

Me being in Houston, I wanted to leave there because it was only known for one thing. That’s why I hit N.Y.; that’s why I hit L.A. That’s why I hit Paris, London. I just picked up basically everything, but I morphed it into what Travi$ Scott is and into what I know is fresh.

My mom used to work for Coach and Louis Vuitton, in retail. So, I’ve always been around it. I’ve always had that connection. Always.

I have black friends, but I don’t just hang out with black kids. I might pull up with Indian kids, white kids, black kids, whatever.

You can’t buy swag.

I felt like ‘Owl Pharoah,’ not everyone understood who I was as an artist.

I felt like ‘Owl Pharoah,’ not everyone understood who I was as an artist.

I think, with production, I pay very close attention. ‘Cause that’s my favorite thing in music. That’s the whole drive. That’s the reason.

I was on mad platinum albums… I produced and wrote on them.

My work ethic is crazy. I’m a producer, an artist, and a video director.

I love my fans more than anything.

I was in early on with ‘Yeezus.’

I’m a big fan of Kid Cudi. He was, like, the only concert I think I went to as a kid. He was on tour with Asher Roth.

There’s a lot of us out here that are birds, man. We all need to just fly.

I skipped ‘College Dropout’ and ‘Late Registration‘ and went straight to ‘808s & Heartbreak.’

There are people who take fashion at different levels, but personally, I’m just a kid with it.

I’m big on diversity. My music is very diverse; I don’t want it to ever be typecasted.

I want to do what Kid Cudi did for kids for my generation.

I have black friends, but I don’t just hang out with black kids. I might pull up with Indian kids, white kids, black kids, whatever.

My music isn’t rappity-rap-rap-rap.

The most ironic thing is my grandfather has his masters in music composition; he was a jazz composer. My dad was a musician, too. He played more, like, soul music.

I’m La Flame at all times. That, at times, can be bad, at times can be good.

I don’t get why radio shows allow artists to do shows without creative control, without any art direction at all. Instead of that, I get their press guys, their camera guys to be my backdrop of my show.